Download Ebook American Genius: A Comedy, by Lynne Tillman

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American Genius: A Comedy, by Lynne Tillman

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Review

Praise for American Genius, A Comedy “Tillman’s beautifully constructed sentences create their own propulsion, able to take a reader in any direction at any moment. From the opening pages, a singular consciousness emerges, both porous and radically isolated, and by stripping out most other elements, the book confirms the ultimate primacy of literary voice, of which this is a rare triumph.” ―Lidija Haas, Vulture, 1 of the 100 Most Important Books of the 2000s . . . So Far "If you’re looking for a book to really just get lost in, this re-release of Lynne Tillman’s dense, winding, frantically brilliant novel is a good bet. Notice I didn’t say safe bet, because there’s little that’s safe within these pages. Instead, you’ll find the profane, twisted, knife edge-sharp thoughts of a former historian who is meditating on everything from the concept of sensitivity to the Manson murders. And you’ll receive these thoughts in the inimitable literary stylings of Tillman, who goes places few other writers can even conceive of existing." ―Kristin Iversen, NYLON "American Genius, A Comedy is a novel of digression. Refusing linear plot for the meandering structure of recollection, the book takes the form of an stream-of-thought monologue delivered by a former American historian residing in a mysterious, clinic-like setting that might be a sanatorium or an artist’s retreat but might also be something more sinister. In slippery paragraphs always on the edge of incoherence, we hear about the narrator’s interest in baths, textiles, underarm waxing, the quirks and habits of most of her co-patients, and the history of slavery. A portrait of excessive interiority." ―TANK Magazine "If Jane Austen were pulled along a post-modern highway into the 21st century, forced to shed her fixation on marriage being the ultimate happy ending, the resulting novel might read a little like this." ––Ruby Brunton, Cleveland Review of Books"Tillman gives us a mind hilariously on fire with compensatory distractions, bristling with facts that may not help at all . . . The woman’s mind spins, and with it a voice that’s ardent and ironic, knowing and oblivious, repetitive and contradictory . . . What kind of 'comedy' is this? . . . The comedy, surely of a sort of late modernism, familiar from Samuel Beckett and Thomas Bernhard: novelists whose narrators simply can’t be quiet, but find themselves yammering away, the brain always buzzing, dry lips smacking and teeth clacking as their stories and theories and opinions come tumbling out . . . American Genius, A Comedy was timely in 2006, and still feels queasily of our moment." ––Brian Dillon, 4Columns Praise for American Genius, A Comedy (2006) “The narrative voice is manic, neurotic, self-generative, very smart, loopy, deeply vulnerable, closely (obsessively) observant, narcissistic, and eminently contemporary. It is also very funny. Flawed, beautiful, sacred, insane.” ―George Saunders “American Genius is a masterpiece.”―Harry Mathews “To read Tillman’s tightly woven novel, which meshes inner and outer realms as well as past and present, is to enter into an intense relationship, a communion with another spirit, perhaps with some sort of genius. An involvement that, like all forms of heightened attention, be it friendship, love, hate, or pursuits intellectual or creative, is demanding and bewitching, harrowing and bemusing, revelatory and transforming.” ―Donna Seaman, Bookforum “Tillman’s prose builds to poetic brilliance.” ―Entertainment Weekly “What emerges here is a bold showcase of a novel, a cabinet of curiosity, a proposal for what fiction could be.” ―The New York Times Book Review “Reading the novel is like entering a room crowded with peculiar portraits, all brilliantly drawn. The book is a consummate work, one that levels Western history with family dynamics, pet deaths, Manson family references, the Zulu alphabet, skin disorders, and the loss of memory that afflicts us both personally and as a nation. Tillman once again proves herself a rare master of both elegant and associative writing, urging us to enter the moment, which is all we have and simultaneously cannot keep.” ―San Francisco Bay Guardian “If I needed to name a book that is maybe the most overlooked important piece of fiction in not only the ’00s, but in the last 50 years, [American Genius, A Comedy] might be the one. I could read this back to back to back for years.” ―Blake Butler, HTMLGiant “I don’t know if there’s a precedent for this charming, maddening, brilliant, painstaking, and utterly mesmeric book.” ―Garth Risk Hallberg, The Millions “To unravel the mordant skeins and associative daisy chains of American Genius is, quite often, to feel oneself gently possessed by the mind and memories of another. Tillman’s work infers that such a transmission is an ideal for fiction―that narrative isn’t just a means of organizing experience, but the stuff of consciousness itself.” ―Slate “Tillman explores in all its minutiae how true sensitivity is both paralysing and liberating. When the meandering journey of American Genius finally ends, you might find you’ve come farther than you thought possible.” ―The Guardian

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About the Author

Lynne Tillman is a novelist, short story writer, and cultural critic. Her novels are Haunted Houses; Motion Sickness; Cast in Doubt; No Lease on Life, a finalist for the National Book Critics Circle Award; American Genius, A Comedy; and Men and Apparitions. Her nonfiction books include The Velvet Years: Warhol’s Factory 1965–1967, with photographs by Stephen Shore; Bookstore: The Life and Times of Jeannette Watson and Books & Co.; and What Would Lynne Tillman Do?, a finalist for the National Book Critics Circle Award in Criticism. Her most recent short story collections are Someday This Will Be Funny and The Complete Madame Realism. She is the recipient of a Guggenheim Foundation Fellowship and an Andy Warhol/Creative Capital Arts Writing Fellowship. Tillman is Professor/Writer-in-Residence in the Department of English at The University of Albany and teaches at the School of Visual Arts’ Art Criticism and Writing MFA Program in New York. She lives in Manhattan with bass player David Hofstra.

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Product details

Paperback: 384 pages

Publisher: Soft Skull Press; Reprint edition (February 12, 2019)

Language: English

ISBN-10: 1593763115

ISBN-13: 978-1593763114

Product Dimensions:

5.5 x 1 x 8 inches

Shipping Weight: 13.8 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#781,310 in Books (See Top 100 in Books)

Although this novel has a very specific plot that may limit its appeal to wide readership, there is no doubt about the quality of its artistry. Tillman has taken a concept and executed it well. What surprises me is that none of the reviewers on this site or on the book jacket recognize its most obvious inspiration: Thomas Mann's Magic Mountain. In Tillman's version of the psychosomatic seeking respite (from the world at large and finding a microcosm of carnival-mirror traits in her artists colony) the world is decidedly 21st century. But the reflections of the protagonist are as human, and therefore timeless, as Mann's. She plays with the flow of time the way Mann did, and uses personal ruminations to reflect both the character of the protagonist and the society from which she is temporarily escaping. Tillman uses the dining hall, bedroom, walking excursions, and seance in ways like Mann did, and with a similar type of wry humor. Her ambitions were less for political symbolism than Mann's. She musters a good dose of talent in her writing. Much recommended for serious readers.

Chosen by our book discussion group. We found it more enjoyable in discussion, when we could unwrap it, as it were, than it had been in the reading. As a psych R.N. I found it very much like being at work, listening to this hypomanic flight of ideas. Tillman has it down pat, the constant monologue, which keeps circling back to the same topics and obsessions.

Tillman definitely has some game. Her style is challenging, engaging, and engrossing. However, I don't feel as moved as many of the other reviewers I have read. This might be a sad comment on my own psyche, but.....I just didn't care about the narrator. Tillman's style is superb, and the mystery of the setting was masterfully executed. Still, I just couldn't work up any interest in the life of the narrator. Tillman does a remarkable job of taking you deep inside the mind of her narrator. I just didn't find much of interest once I arrived.

Although I enjoyed this book for the interesting style in which it was written it was not an easy read. I found myself putting it down after 30 minutes or so because the stream of conciousness stlye offered me no relief from my own brain.

AMERICAN GENIUS draws you in with the dexterity of Scheherezadem so don't plan on doing a lot of other things because hours will go by, and you'll still be there hanging on every word of the mysterious, yet utterly candid narrator, a woman who seems to be on a permanent vacation from the realities of her ordinary life, so that in a way, this is the updated, and very NY version of M. HULOT'S HOLIDAY. But is it a holiday entirely? Or has, perhaps, our narrator stepped outside the bonds of society and is being incarcerated in this strange place, like THE YELLOW WALLPAPER or THE SNAKE PIT? Women have long written about being clapped into one sort of prison or another, but rarely so enigmatically. I dare you to work it out, indeed part of the miracle of the book is seeing, with such inflected pleasure, just how long Tillman can keep up the balancing act of keeping you guessing. For in other ways the world the narrator finds herself in is like one of those artists' colonies one always hears about, where they bring you lunch to the door of your cottage, then tiptoe away so as not to disturb the "genius" within.Or it could be any sort of other place of temporary lodging, like the inn in Chaucer. "Flee, flee, this sad hotel," Anne Sexton wrote, but in many ways this place suits our narrator, and the other guests or inmates or whatever they are afford her (and us) endless hours of amusement and speculation, just as they did M. Hulot, or Henry James. "I'm not trapped here," she keeps telling us, or maybe she's trying to reassure herself.Each "guest" has a turn in the sun, each a little lesson in characterization, just the way they share their communal meals, or turn away from each other, or form little alliances that may or may not include our longsuffering artist with the sensitive skin. And yet by the end of the book we may decide that all that characterization aside, only a very few figures remain with us, strong trees on which the spiderwebs have entangled themselves. There is our narrator herself, bemused, sophisticated, and yet nursing childhood hurts and ancestral memories that mark her out as different even to herself--her world defined by how thin her skin is, how tender and how untouched. There's her brilliant father, not so much rapacious as passionately interested in everything except for that which his daughter holds dear. "It was my father who first made me conscious of the cherry on the back of my upper thigh." Thanks, Dad! And there's the Polish cosmetologist, superbly assured, highly skilled, European servility turned on its head to wear the mask of the master. She's great. Most strange of all, most touching, the real-life figure of "Manson Girl" Leslie Van Houten, imprisoned for real after umpteen appeals for parole, her memories of killing Sharon Tate and the rest fading away like spots on gold lame, her personhood turning her into a ghost, an avatar of humiliation, guilt, shame, and yet otherness, the otherness our heroine seems to see as a sort of shadow to her own self, the moon to her sun. Who knows what we might have been capable of if we felt as strongly, or as vacantly, as Leslie Van Houten?The back of the book compares AMERICAN GENIUS to Tristram Shandy, Moby Dick, Gravity's Rainbow. I don't think so, but I can see what George Saunders and Matthew Sharpe jumped overboard in exactly those ways. Like these classic novels, AMERICAN GENIUS plays with time--slowing it down, making it jump hoops, negating it on the one hand while reifying it on the other--the way a prisoner does, marking the days scrawled in charcoal on the wall of his cave or cell. The long sentences with which our narrator marks time will resound in your head every time you try to put down this wonderfully achieved novel, and you'll be imitating Tillman next time you try to open your mouth and explain, just what it is that happened that made you so strange and so bereft.

The magician who appears near the end of this novel reminds the other characters that magic is all about misdirection. That describes the novel's technique as well. Our neurotic narrator obsesses over her skin, and sometimes fabric---the surfaces. But then she'll experience sudden eruptions of painful memory or vivid insight, usually tossed off as asides on every topic from art history to childhood pets. Our narrator (Helen, we eventually learn) complains about her sensitive skin, but what we're really exploring here is a sensitive psyche, a brilliant mind almost afraid of thinking. As the book begins, it's unclear whether she's living in some kind of mental institution or an artists' colony. The fact that we can't immediately tell is an example of the sly dry humor present throughout this beautifully written novel.

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PDF Ebook Truthful Living: The First Writings of Napoleon Hill

PDF Ebook Truthful Living: The First Writings of Napoleon Hill

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Truthful Living: The First Writings of Napoleon Hill

PDF Ebook Truthful Living: The First Writings of Napoleon Hill

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}

Audible Audiobook

Listening Length: 6 hours and 26 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Brilliance Audio

Audible.com Release Date: October 30, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07GT86NCM

Amazon Best Sellers Rank:

There is a reason why I ordered copies for my entire team and all of my mastermind students. My expectations were high for this book and were exceeded by the time I was a couple of chapters into it. Napoleon Hill's wisdom is timeless, and this book brings his early writings, concepts, ideas, and strategies to life in a surprising way; through Gitomer's thoughtful and often brilliant annotations - his insights and recommended actions.I believe Jeffrey Gitomer is one of the best writers on the topic of sales and success, and I've read hundreds of books over the last 20 years. Like his other great books, this one is unique and takes on a BIG task which is to bring Napoleon Hill's strategies into today's modern world. He achieves this spectacularly.Chapter 12, "How to Sell Yourself and Your Services," is worth the 100X the price of the book in my opinion. The lessons in this chapter and throughout the book are short, hard-hitting, and thought-provoking. I normally read fast, yet this book stopped me in my tracks to actually stop and just THINK. I've rarely had so much self-reflection come from one book.I'm appreciative for Gitomer for this book and so much more. The impact he, his books and training have had on me in my personal life and my professional career has been nothing short of amazing. I'm forever indebted to him.Don't just buy the book, buy additional copies for those you care most about. They'll thank you and you will have given them a gift that could change their life.

I have been truly blessed when author, speaker and all round great guy Lee Shelton suggested that I read I’m Okay; You’re Okay. I read it and my life’s direction changed almost instantly. I became an avid reader. Since that day in the early 1980s I have read well over 1000 books and watched or listened to even more on video or tapes. Why do I say this to begin this review of Truthful Living by Jeffrey Gitomer? Glad you asked.Without Shelton’s encouragement I would have never been introduced to the works of Napoleon Hill, Orison Swett Marden, Wallace Wattles, Jim Paluch, Joe Tye, Dr. Tom Hill, Jon Gordon, Kieran Revell and especially Jeffrey Gitomer. I have read every book written by Gitomer as well as several of the other authors mentioned. In fact I have read many of the books more than once. I WILL read Truthful Living more than once, of that you can rest assured!It would be foolish of me to actually write a review of the book. Instead I would simply suggest that you read it and after you do you will understand why I suggested that first you read it, then you should study it, and then buy a copies for the people you care about, especially the youngest of the people you care about who are only now embarking upon their careers. You’ve heard the famous saying, you can bring a horse to water but you can’t make them drink. Here is your chance to bring your favorite horses to the fountain of knowledge from which if they partake of the knowledge will absolutely do no harm but almost assuredly help them achieve the success that everyone seeks.Author Joe Tye asked me if I had a Life’s Mission Statement (Goal) which at the time I did not. Thanks to Joe I created one and have done my best to live by it over the past 30 plus years and I include it here for a reason:To help people to do what they do to do it better!That is one of the reasons I read books, books like Truthful Living. I weed out the books with little value in favor of the books with tremendous value and then share the recommendation to read a book or books with everyone who would take a minute or two to read my recommendations such as this one. By encouraging others to read the books I have read IS helping other people to do what they do to do it better. My recommendation/suggestion to YOU the reader would be:READ THIS BOOK!A word of caution. The book is written in color and if you attempt to read it on a Kindle type reading device in Black and White only as I did, you may have difficulty reading some of the featured material in the book. The same Kindle version read on your computer’s Kindle or your smart phones Kindle is highly recommended because the color is displayed making it much easier to read.Truthful Living is NOT just a book for people in sales; it is for people who are still breathing or in other words, EVERYONE! It would be impossible to read Truthful Living without coming away without many very strong incentives to cause you to “think in a certain way” as Wallace Wattles writes about in his several books. It clearly points out that everyone should have a mental plan outlining a roadmap to define their future as they wish it to be. I came across the following poem, author unknown, that explains why you should read Truthful Living.WHERE ARE YOU GOING?High in the Sierra Mountains lives an old manWho from his hermitage looks down in pityUpon other men of higher mental aspiration.One day he rescued a little group of Swiss mountaineersLost in the mountains’ fastenessesWhen told were they were they exclaimed in disbelief,“But how did we get here?”To which the old hermit replied,“If that question ain’t got no answer attached to it,I ain’t got none that fits.If you is goin’ anywhere in particularUp here, yu’d better figger fust how to get thar.Cuz by jest goin’ afore ya know where yere agoin’Ya can get to a powerful lotta places ya might not wanta be.”As usual, I always ask and answer the same questions whenever I finish reading a book.Who should read it? EVERYONEWould I read it again? ABSOLUTELYWould I buy it as a gift? ABSOLUTELY and already have

I loved Napolean Hill. Have and have read all of his works. Thus, I kind of fell for the fact that old writings had been discovered yada yada. And the irony, I like Jeffrey Gitomer's sales books. He's obviously the real deal. But the combination fell flat on its face for me. So not for me to say if they found some old writings or not but being an old rabid fan of Mr. Hill, it sure doesn't come through for this fan.

This was not your typical book. And for that reason I did find it a bit disjointed and strange sometimes. The material from Jeff was more relatable and the material from Nap Hill was like it was just pieced together. I struggled to find too many pearls of wisdom that I haven't read in other Napoleon Hill books but the investment of time and money was well worth it.

Jeffrey Gitomer holds your hand as you explore the original notes from the lectures of Napoleon Hill. This is an impressive book and I really love Jeffrey's added annotations. This book gets better and better after each chapter too! Very impressed, I plan on reading this book over and over again. I highly recommend this book to any fan of either Jeffrey Gitomer or Napoleon Hill.

Hey Jeffrey, I just recieved my copy in the mail yesterday - digging in hard and fast -Thank you for putting this book together after finding those initial, earlier writings of Napolean Hill - and preserving that legacy. Much appreciated - Daniel / Detroit

The book allows us to be taught the right way, as in a world we live in today. These principal's are for those that want to instill themselves with the skills that have been proven! your move.

All Gitomers books are valuable. Most of his books have very nice expensive paper. But this book is just plain average paper instead of paper glossed with a shiny layer.

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Free Download The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris

Free Download The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris

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The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris

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Review

“. . . an astounding achievement, both as a literary and photographic work.” - Fangoria“Koudounaris gracefully transcends mere ghastliness and ghoulishness to challenge cultural perceptions of death, both current and centuries old. The result is not only a highly original work of great visual beauty and rigorous scholarship but also a surprisingly intimate and tender meditation on what the author calls 'the dialogue with the dead.'” - Bloomsbury Review“The photos of the skulls alone justify the purchase.” - Talk

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About the Author

Paul Koudounaris received his doctorate from the art history department at UCLA. His previous books include The Empire of Death and Heavenly Bodies. He lives in Los Angeles.

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Product details

Hardcover: 224 pages

Publisher: Thames & Hudson; 1st Edition edition (October 24, 2011)

Language: English

ISBN-10: 9780500251782

ISBN-13: 979-0500251781

ASIN: 0500251789

Product Dimensions:

9.2 x 1.1 x 12.4 inches

Shipping Weight: 3.4 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

49 customer reviews

Amazon Best Sellers Rank:

#80,369 in Books (See Top 100 in Books)

I am so happy that I ordered this book. It is full of stunning photography and the binding is very elegant. This was a perfect addition to my collection of books about Ossuaries. Typically these kinds of books are either coffee-table books burdened by mediocre writing and poor scholarship, or textbooks with wonderful historical perspective but few images. The text by Koudounaris entirely worth reading, though the format sacrifices ease of reading for visual appeal. Some of the sites in this book are rarely photographed or written about, so it is really a wonderful resource in addition to a beautiful book for display. It also includes map locations and very clear cross referencing in the appendices. To be honest, the photographs are so beautiful that it would be worth buying for those alone.

A lovely photography book that picks up and goes a bit deeper than Paul Koudounaris' excellent previous book, "Heavenly Bodies" - the images are hypnotic and so full of radiant 'life' and beauty, artistry and veneration, that while being drawn in to the superb imagery one can never forget exactly what we are seeing - the glorification of the inevitable. The book itself is a work of art - heavy, golden decorative pattens adorn the thick covers, while the pages are exquisite glossy heavy bond. At 224 pages, this is a work of love and craftsmanship. And, without many of these images, where would all those Death Metal bands get their album covers?

I wanted a book that would give historical and interesting facts on places of death and our treatment of the dead. That is just what was delivered and more. The photos are large, high quality and provoked a range of emotions from me including shock, dread, awe, curiosity, and the desire to learn more. I agree with another reviewer that, despite its "coffee table" appearance, the information in this book is very well researched. Also, the the material is in-depth without being academic or dense and seems to build on itself to form a chronology of the history/facts covered.Two, perhaps, unexpected consequences of my reading this:1. My acceptance of death as a normal part of being human has already increased as a result of what I have read and I am definitely more open to its discussion.2. I recognize a need for society to demystify death and break down the taboos so as to better prepare ourselves, thus living more deliberately.

Awesome! Anthropoligst, phsychologists and thansthologists galore.! Also very interesting for people intrigued about or researching the reality of death. Very few books on this topic available. Not so good as Memento Mori, but also extraordinary images and text. Try a recently released book from another author, called "Death, a graveside companion".(1st edition). It's TRULLY awesome!!

A really beautiful and substantial book in the hand. This book is less picture heavy and much more literature heavy than most books about the catacombs. If you are looking for an enormous photobook that is MOSTLY photos this is not your best bet. If you want lots of information interspersed with gorgeous photos and drawings its a win.!

This is a remarkable book. It is beautifully produced and manages to span the realms of the coffee table grimoire and the insightful scholarly work. Paul Koudounaris speaks authoritatively and succinctly, revealing a world of life and hope that has been effectively extinguished in modern society. There is an unsettling message that resonates through every page; by marginalizing and concealing our beloved dead, we take some of the vivacity from our own lives. Plus, you get a built-in ribbon bookmark.The Empire of Death will likely change the way you think about death, even if you had a relatively amicable relationship before.

The photos are really what this book is all about - stunning, chilling, perplexing and intriguing glimpses into the burial or preservation practices of centuries past.If you actually "read" the book, there are some issues: very small typeface, a bit frozen and boring in terms of content, and not a robust accompaniment for the incredible photos.I looked through and enjoyed this and then gave it away as a sumptuous gift to a friend.

Littered around Europe are so called Ossuaries where bones arekept either in special niches or arranged in convivial macabrebaroque art. This book is a compendium of such shrines and ahomage to death itself.Paul Koudounaris has documented well and little known CharnelHouses, not to mention he presented it with flair and supplementedwith several pictures.Included in this handsome hardbound book are the famous CapuchinChurch in Palermo,Scwarzenberg Chapel, Waldsassen and Church ofSaint Francis in Portugal.This is highly recommended for those who are Connosieurs of theStrange and those who are not brave enough to cross the thresholdof the said chapels and churches. Dr. Koudounaris has done anexcellent job and give us a free tour of the Realm of the Dead.

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The Empire of Death: A Cultural History of Ossuaries and Charnel Houses, by Paul Koudounaris PDF

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PDF Ebook Venezuela 1:1,200,000 Travel Map (International Travel Maps)

PDF Ebook Venezuela 1:1,200,000 Travel Map (International Travel Maps)

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Venezuela 1:1,200,000 Travel Map (International Travel Maps)

PDF Ebook Venezuela 1:1,200,000 Travel Map (International Travel Maps)

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Product details

Series: International Travel Maps

Map: 4 pages

Publisher: ITMB Publishing Ltd.; 4 edition (November 4, 2010)

Language: English

ISBN-10: 9781553414575

ISBN-13: 978-1553414575

ASIN: 1553414578

Product Dimensions:

1 x 3.8 x 0.2 inches

Shipping Weight: 1.6 ounces (View shipping rates and policies)

Average Customer Review:

1.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,340,707 in Books (See Top 100 in Books)

I needed a map that included the whole country at a glance. The map is totally useless to me. Why wasn't this information included when I bought the map? Are there any other maps of Venezuela which show the whole country on one side?

Venezuela 1:1,200,000 Travel Map (International Travel Maps) PDF
Venezuela 1:1,200,000 Travel Map (International Travel Maps) EPub
Venezuela 1:1,200,000 Travel Map (International Travel Maps) Doc
Venezuela 1:1,200,000 Travel Map (International Travel Maps) iBooks
Venezuela 1:1,200,000 Travel Map (International Travel Maps) rtf
Venezuela 1:1,200,000 Travel Map (International Travel Maps) Mobipocket
Venezuela 1:1,200,000 Travel Map (International Travel Maps) Kindle

Venezuela 1:1,200,000 Travel Map (International Travel Maps) PDF

Venezuela 1:1,200,000 Travel Map (International Travel Maps) PDF

Venezuela 1:1,200,000 Travel Map (International Travel Maps) PDF

Venezuela 1:1,200,000 Travel Map (International Travel Maps) PDF

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